Tycker den ser ut att ligga för bra i kurvorna för att vara en 450SEL ?? Vad det än är så tror jag motorljudet är det riktiga, skulle vara väldigt svårt att ändra ljudet på den tiden, se ex 3,20 där ljudet sitter perfekt. Sen går det nog inte så fort som det känns i filmen alla gånger ;)

Googlade och du har helt rätt! Shot in a single take, it is an example of cinéma-vérité[dubious ? discuss]. The length of the film was limited by the short capacity of the 1000 foot 35mm film reel, and filmed from a (supposedly) gyro-stabilised camera mounted on the bumper of a Mercedes-Benz 450SEL 6.9.[citation needed] A photo has surfaced that seems to reveal an Eclair cam-flex 35mm camera with a wide angle lens, and a typical "speed rail" hard mount - no gyros - on a Mercedes. This model, which could reach a top speed of 235 km/h (146 mph), was only available with a 3-speed automatic transmission. Yet, one can hear gear changes up into 5th, as well as heel-and-toe down-shifting with a high-revving engine indicating speeds of well over 200 km/h. Calculations made by several independent groups showed that the car never exceeded 140 km/h (85 mph).[1] Lelouch himself claimed that the top speed achieved was somewhere between 230 km/h and 240 km/h.[2] It is suggested that the soundtrack

was dubbed with the sound of Lelouch's Ferrari 275GTB, which has a corresponding number of gears and a V-12 sound that is quite distinct from that of any V8, including the 6.9 liter V8 of the alleged Mercedes camera car. A making-of-the-rendezvous documentary indicates that Lelouch himself was the driver, that the car driven was the Mercedes, although the sound track is from a Ferrari. Elie Chouraqui his first assistant, was posted, with a walkie talkie, close to the Louvre palace at the only blind junction (archway) to assist the driver;[3] however, Lelouch has revealed that the radios failed, and if Elie had tried to warn him of a pedestrian the message would not have been received.